Twelve actors spend six months on a cramped bus, lose their lead actor, play 71 roles, and learn to work in spaces that wont hold their set, all while reconnecting with their passion for performing, receiving a great review in the New York Times, and bringing classical theater to America in The Acting Company's 37th Season.

A council case worker looks for the relatives of those found dead and alone.

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株式会社マルカネフーズ経理部長代理の米倉一雄は55歳にしてついに定年退職を迎えた。しかし、目下の予定は何もなし。3年前に妻を病気で亡くし、長女の瞳は結婚して家を出た。就職活動中の次女・優はまだ家に残っているものの、妻が死んで以来、ギクシャクした関係が続いていた。家族のために仕事一筋で生きてきた一雄は、これといった趣味もなく、膨大な時間を前にして途方に暮れてしまう。そんなある日、江ノ島の実家を訪ねた一雄は、亡き妻がロングボードに悪戦苦闘していた若き一雄の姿を懐かしがっていたのを思い出す。

Earthquakes and aftershocks forces a group of residents stranded at a party to reevaluate their lives, as one grueling situation after another, prompts surprise and comedy.

A two-way mirror with the lights switched off. Eyes are tracked and attentions are plotted as a fictitious audience follows the narrator’s orders. They are divided by the screen and, though they try, neither can see through to the other side. We can’t be sure if the bond they form is reciprocal or if the audience was ever even there to begin with.

The film navigates this aftermath observing the signs of an evacuated civilisation. Marine life is represented in murals and as forms of architectural ornamentation. A dolphin remains still, joyfully stuck in mid air, turned to stone. In contrast to constant life and movement underwater, the other side remains still, quiet, and solid in a concrete-made world. Occasionally, the voices projected from the speakers interrupt these silences to make announcements to visitors. 　　The humans are gone but diverse life forms fill the architectural spaces they left behind. It’s as if amongst this absence the architecture and infrastructure of tourism whispers its own story. The pipes that once supplied aquariums and waterslides now breath notes. The curtains of a once luxurious hotel dance in the ocean rhythm. 　　These spectres of tourism are searched within the process of film production. The filmmakers make audible their casual conversations in which they search for meaning and imagine different lifeforms of the future. It might be relevant that a pandemic was sweeping through our world throughout the film’s production. Perhaps the film is a post-apocalyptic projection of their own remembered economic disasters. As a generation that experienced the false promises of progress and freedom, they also look into their own connections with the island of Capaluco: The collapse of the neo-liberal economy in Argentina and failed American dream to a Filipino immigrant.

When a Thai student in Japan keeps a married woman company at the request of her busy husband, a deep love blossoms but fate is against them.